[58] The shoot used a ten-piece orchestra, 15 stuntmen, and 120 extras to fill the seats. The Borg and the special effects were lauded, while characterization was less evenly received. Safety glass was placed over the lens to prevent damage, while the camera was covered with plywood to protect it from bits of plastic that rained down after each explosion. Star Trek: First Contact is the eighth movie in the Star Trek film series, released in 1996. Where did the Enterprise crew go when they left in their escape pods. [69], On April 2, 2012, GNP Crescendo Records announced a limited-edition collector's CD featuring the complete score by Jerry Goldsmith (with additional music by Joel Goldsmith), newly remastered by recording engineer Bruce Botnick, with an accompanying 16-page booklet including informative notes by Jeff Bond and John Takis. [93] Kenneth Turan of the Los Angeles Times wrote, "First Contact does everything you'd want a Star Trek film to do, and it does it with cheerfulness and style. Akira class (with Norway and Saber) in "Star Trek: First Contact" Akira class (with Norway and Saber) in "Star Trek: First Contact" Akira class (with Steamrunner and Sovereign) in "Star Trek: First Contact" Akira - 5 views (via Drex Files) Akira - angled (via Drex Files) Akira class - CGI model (Star Trek Fact Files) Akira class - orthographic views (Star Trek Fact Files) Saber Class. Using different-colored gels made the rocket appear longer than it actually was; to complete the effect, shots from the Phoenix's nose downwards and from the engines up were filmed with a 30 mm lens to lengthen the missile. The result is one of the most satisfying films in the series.Part of the appeal of Star Trek: First Contact, is that the central enemy is the Borg Collective, which has surpassed all other villainous races in the Star Trek universe in popularity. Mar 20, 2020-19. Eintrag zum First Contact Day auf Memory Alpha (englisch) Lesenswerter Wikipedia-Eintrag zu Star Trek: Star Trek: Der erste Kontakt (deutsch) Beitrag zum First Contact Day am 5. April 2063. [19], The third draft of the script added cameos by two actors from the sister television series Star Trek: Voyager, which was in its third season when the film was released. [45] ILM layered their 30-inch (76 cm) model with an additional five inches of etched brass over a glowing neon lightbox for internal illumination. Completing the Admiral's sentence, Picard realizes who destroyed the colony — the Borg. [45], For the Borg battle, Knoll insisted on closeup shots that were near the alien vessel, necessitating a physical model. Star Trek: First Contact - Jonathan Frakes Live Q&A Watch-Along. [16] Eaves looked at the structure of previous Enterprise iterations, and designed a more streamlined, capable war vessel than the Enterprise-D, reducing the neck area of the ship and lengthening the nacelles. [69] The album contained 51 minutes of music, with 35 minutes of Jerry Goldsmith's score, 10 minutes of additional music by Joel Goldsmith, "Ooby Dooby" and "Magic Carpet Ride". After two better-known directors turned down the job, cast member Jonathan Frakes was chosen to direct to make sure the task fell to someone who understood Star Trek. He deactivates the self-destruct and fires torpedoes at Phoenix. [47] The time-travel aspect of the story also required period costumes for the mid 21st century and the 1940s "Dixon Hill" nightclub holodeck recreation. 13 tracks (46:33). EUR 602,45. [8] It was decided to stay with someone who understood the "gestalt of Star Trek", and Frakes was given the job. Picard, like Ahab, has been hurt by his nemesis, and author Elizabeth Hinds said it makes sense that Picard should "opt for the perverse alternative of remaining on board ship to fight" the Borg rather than take the only sensible option left, to destroy the ship. [3], A group of Borg invade Enterprise's lower decks and begin to assimilate its crew and modify the ship. Four days were spent in the Titan Missile Museum, south of Tucson, Arizona—the disarmed nuclear missile was fitted with a fiberglass capsule shell to stand in for the Phoenix's booster and command module. [75], 1996 marked the 30th anniversary of the Star Trek franchise. The entire set for the scene was 100 feet (30 m) wide and 25 feet (7.6 m) high; gaps left by the dolly reveal were filled in later digitally. It eventually made $92 million in the United States and Canada with an additional $54 million in other territories, combining a worldwide total of $146 million. "[38][53] Frakes noted that the Queen ended up being alluring in a disturbing way, despite her evil behavior and appearance. So, at the very end [of the film], they're more ferocious. [42], First Contact was the last film to feature a physical model of the Enterprise. Frakes had not been the first choice for director; Ridley Scott and John McTiernan reportedly turned down the project. The captain returns to the ship and leaves Commander William T. Riker on Earth to make sure Phoenix's flight proceeds as planned. [39], Frakes had directed multiple episodes of The Next Generation, Deep Space Nine and Voyager, but First Contact was his first feature film. He is contacted by Admiral Hayes, who informs him of a new Borg threat against Earth. But the minute you get in close, you defeat the whole purpose of being on the outside of the ship, so you can see the cells and the stars and Earth looming in the background. But the Borg plan to travel back into the twenty-first century through a vortex with the intention to stop Earth's first contact with an alien race (the Vulcans). [55] Among the nightclub patrons were Braga, Moore, and the film's stunt coordinator, Ronnie Rondell. [51] Frakes regarded filming the scene to be the most tedious in the film because of the amount of preparation it took for each day's shoot. [55] The old missile silo provided a large set that the budget would have prohibited building from scratch, but the small size created difficulties. The scene was difficult to execute, taking ILM five months to finish. [109], A First Contact "Special Collector's Edition" two-disc set was released in 2005 at the same time as three other Next Generation films and Star Trek: Enterprise's fourth season, marking the first time that every film and episode of the franchise was available on home video up to that point. The film would have featured sword fights alongside phasers in 15th-century Europe, while Data became Leonardo da Vinci's apprentice. Captain Kirk and his crew must deal with Mr. Spock's long-lost half-brother who hijacks the Enterprise for an obsessive search for God at the center of the galaxy. Jerry Goldsmith and his son Joel collaborated to produce the film's score, though only Jerry was credited. Engineering was simulated with a large, three-story set, corridors, a lobby, and the largest warp core in the franchise to date. Here is real acting! [43], The Enterprise interior sets were mostly new designs. [21] Whoopi Goldberg was not asked to return as Guinan,[22] a wise bartender whose homeworld was destroyed by the Borg. To save Earth from an alien probe, Admiral James T. Kirk and his fugitive crew go back in time to San Francisco in 1986 to retrieve the only beings who can communicate with it: humpback whales. The shot continues to pull back and reveal the exterior of a Borg ship. [72] Several lines in the film refer to the 21st-century dwellers being primitive, with the people of the 24th century having evolved to a more utopian society. [60], The majority of First Contact's effects were handled by Industrial Light & Magic under the supervision of John Knoll. Apr 27, 2020-57. Riker's and Picard's roles were swapped, and the planetside story was shortened and told differently. There are moments of reflection for the characters, but the movie has an inertia that makes the other entries in the franchise seem as if they plod along at five miles an hour. [51] A one-armed actor portrayed the Borg whose arm Worf slices off to accurately portray the effect intended,[12] and the actors' shoes were fitted with lead weights to remind the actors they were to move slowly as if actually wearing gravity boots. EUR 32,79 + Versand . The 135-foot (41 m) dolly track was raised off the stage floor and layered with pieces of double-thick birch plywood, chosen for its smooth finish. BORG QUEEN (OC): Locutus. Phillips recalled that the producers wanted the fans to be left guessing whether he was the person who played Neelix or not, as he did not appear in the credits; "It was just kind of a goofy thing to do. [47] Krige recalled the first day she had her makeup applied: "I saw everyone cringing. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth. If anything, the film could’ve used more scenes of Picard slowly realizing just how screwed they all are. [16] Background Borg were simulated by half-finished mannequins. [107] Renzetti credited them with breathing "new life" into the crew of the Enterprise while simultaneously trying to kill them. When an alien spacecraft of enormous power is spotted approaching Earth, Admiral James T. Kirk resumes command of the overhauled USS Enterprise in order to intercept it. First Contact was nominated for the Academy Award for Best Makeup and won three Saturn Awards. Perfect foils for a feature story. Lisa Schwarzbaum of Entertainment Weekly appreciated that guest stars Woodard and Cromwell were used in "inventive contrast" to their better-known images, as a "serious dramatic actress" and "dancing farmer in Babe", respectively. The compact disc shipped with CD-ROM features only accessible if played on a personal computer,[70] including interviews with Berman, Frakes, and Goldsmith. Effects company Industrial Light & Magic rushed to complete the film's special effects in less than five months. [12][38], The spacewalk scene on the Enterprise exterior was one of the most challenging sets to envision and construct for the film. In the mirror, he is surprised by a Borg Assimilation Unit emerging from his face. Was this review helpful to you? 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