Justine Kurland’s take on the classic American tale of the runaway takes us on a wild ride of freedom, memorializing the fleeting moments of adolescence and its fearless protagonists. Kurland: You’re the only person I photographed who didn’t want to be photographed. Early life and education. The pictures are beautiful while also being moving and thought-provoking. The body of work, which was created between 1997 and 2002 mostly on the road, has just been published in a new book by Aperture. I don’t know any of the girls in Justine Kurland’s Girl Pictures, but it really feels like I do. That the subjects of the pictures are now in their mid to late 30s is not something that should be overlooked. In his New York Times review of the artist’s first solo exhibition in New York in 1999, Ken Johnson notes that the “particular appeal of Ms. Kurland’s work is in its deadpan tension between the matter of fact and the mythic.” This balancing act is mirrored in the artist’s own life; indeed, Kurland has noted the autobiographical parallels in her work, specifically her competing desires to both escape and fight … All rights reserved. It’s the 20 th anniversary of the first printing of the series, 69 staged photographs of adolescent girls living (apparently) off the grid. Photograph by Justine Kurland. Thirteen-year-old Gaea from Virginia “crossed the river in front of her house on a rope, Tarzan style, wearing a feather boa and chunky high-heeled boots. The book publishes the whole series in full, including newly discovered and unpublished images, and while it seems like a body of work Kurland was destined to create, it began almost by chance. But when you really didn’t want to be photographed, you just kind of walked away. “For the first time, I’m taking pictures in my own apartment,” she says. Creative Insight. Link/Page Citation GORNEY BRAVIN & LEE Art-world cliques are mixed blessings. Photographer Justine Kurland reclaimed this space in her now-iconic series of images of teenage girls, taken between 1997 and 2002 on the road in the American wilderness. She looks back on the project’s significance here . Justine Kurland's "Girl Pictures" is among the very best photo books to come out in recent years. At first she stayed close to home, shooting in and around New Haven, Conn., but eventually she began traveling farther afield; she wanted her own process to reflect the stories her images told. Contributors: Bengal, Rebecca. She looks back on the project’s significance here . “I was dating a man during the summer between my two years of grad school. Justine Kurland prend ses photos lors de voyages à travers le pays qui révèlent la nature à double tranchant du rêve américain. Between 1997 and 2002, Justine Kurland travelled across the North American wilderness, capturing teenage girls in a series of staged images that express freedom and a new kind of utopia. In a way, Kurland has come full circle. Her father’s death “was a catalyst,” she says. View this post on Instagram Zoe Leonard I want a Dyke for president Archive video of a lecture given by photographer Justine Kurland at the ICP School on November 19, 2014. 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If you continue browsing, we assume that you consent to our use of cookies. Review by John Haber of Justine Kurland at Mitchell-Innes and Nash, Erin Shirreff at Lisa Cooley, and David Brooks at Storm King Art Center, on themes of the machine in the garden, earthworks, and photography . The photographer Justine Kurland didn’t learn how to drive until she was 27, a year before she set off on a two-decade-long road trip. Justine Kurland's "Girl Pictures" imagines runaway girls roaming the American landscape in a sylvan utopia where girls make their own rules. Xeim Limited, Registered in England and Wales with number 05243851 O BY Olivia Plender in Reviews | 11 NOV 03 Owing to the efforts of its 19th-century landscape photographers and painters, images of the American wilderness have always been intertwined with the founding ideals of that nation. Here he reflects on the project nearly 40 years later. Summary: Justine Kurland's birthday is 11/08/1980 and is 39 years old. She focused on specific gestures she associated with women: “For instance,” she explains, “in one picture, the girls play a guessing game where one traces a picture with her finger on the bare back of another, an act of sensual pleasure and communion.” In New York, there was Rebecca, “who had an OCD tick of walking so her knees kicked up, like a show pony.” And in Texas, “there were two girls who told me they were going to ‘get up out of there’ as soon as they could. She earned her B.F.A. Download PDF Creative Review. And the thought, the planning the long staring silence that had gone out to the fields, went now to the roads, to the distance, to the West. At the time, she was an M.F.A. They are now older than Kurland was when she photographed them. Kurland was born in Warsaw, New York. In 2018, though, “I think it’s necessary to look at this work in the context of our current political situation, where human rights are under constant attack,” she says. Here, the filmmaker discusses the joys of collaboration, exploring the realm of television with the series Atlanta, and why This is America is an anomaly in music videos, With new Sony and Microsoft ad campaigns out, CR explores whether game advertising has lost its edge, and what the future holds for console makers operating in a more complicated market than ever before, The cult Instagram account celebrating real-life Anderson-esque moments has been reimagined in book form – complete with a foreword written by the director himself, Satirical puppet show Spitting Image is back after a 24-year hiatus, and features everyone from President Trump’s tweeting anus to a James Corden-Cats hybrid. For years, Justine Kurland has driven … Registered office at Floor M, 10 York Road, London, SE1 7ND, Our website uses cookies to improve your user experience. “The girls were surrogates for myself, from a time before I had made certain choices and accepted responsibilities. The pictures are beautiful while also being moving and thought-provoking. I wanted to make the communion between girls visible, foregrounding their experiences as primary and irrefutable. Publié par les Editions Aperture, Higway Kind permet de (re)découvrir l’imposant travail de la photographe américaine Justine Kurland, de ses premières séries come This Train is Bound for Glory à la plus récente Sincere Auto Care. It’s in the book.”, Ben & Jerry’s global social mission officer Dave Rapaport talks to Anna Burzlaff, head of cultural insights and strategy agency Truth, about the brand’s approach to activism, and what it takes to make credible change in the world today, Hospitality has been hit hard by the pandemic, but in the midst of increased restrictions restaurateurs are finding creative ways to reach hungry punters at home. Can creativity save restaurants from Covid-19? I don’t know any of the girls in Justine Kurland’s Girl Pictures, but it really feels like I do. When she first showed the project, it drew comparisons to the fictional narratives created by male photographers like Jeff Wall and Gregory Crewdson — the latter was Kurland’s teacher at Yale. Justine Kurland's "Girl Pictures" is among the very best photo books to come out in recent years. They are now older than Kurland was when she photographed them. Photographer Justine Kurland was one of them. Best known for her large-scale C-prints of rural landscapes inhabited by nude women, Kurland’s surreal images evoke pagan utopias or post-apocalyptic or pre-industrial worlds. They carried a sickly kitten around all day,” Kurland remembers. “It sounds very Dorothy, very ‘Wizard of Oz,’ but, after all this time away, my new work is about coming home.”, Girlhood Across America, Captured by One Photographer, Justine Kurland/Courtesy of Mitchell-Innes & Nash. Artist Justine Kurland, quoting a timeless artwork by Zoe Leonard, still wants a dyke for president! That the subjects of the pictures are now in their mid to late 30s is not something that should be overlooked. It’s a time when all things are still possible and being wayward is a form of rebellion, even freedom,” explains photographer Justine Kurland on why she focused on young women and teenage girls for her now-iconic series Girl Pictures. The power in Kurland’s images, even 20 years later, is in the blurring between the perfect and real. So we staged it…. Photographer Justine Kurland reclaimed this space in her now-iconic series of images of teenage girls, taken between 1997 and 2002 on the road in the American wilderness. More information can be found in our, The body of work, which was created between 1997 and 2002 mostly on the road, has just been published in a new book by Aperture. Justine Kurland, Golden Field, 1998. The pictures are beautiful while also being moving and thought-provoking. The 69 images will also be reproduced in a limited-edition monograph with an essay by Kurland. Justine Kurland’s take on the classic American tale of the runaway takes us on a wild ride of freedom, memorializing the fleeting moments of adolescence and its fearless protagonists. Here, we delve into how restaurant brands are adapting to the new normal, With commissions from the New York Times and Medium, Xinmei Liu enjoys combining nostalgia with satire to create surreal and surprising illustrations, The Tony’s Chocolonely brand started as a way to change the cocoa industry. She looks back on the project’s significance here. Following in the photographic lineage of Robert Frank, Stephen Shore, and Joel Sternfeld, Kurland’s work examines the story of America―and the idea of the American dream juxtaposed against the reality. Between 1997 and 2002, Justine Kurland travelled across the North American wilderness, capturing teenage girls in a series of staged images that express freedom and a new kind of utopia. Our website uses cookies to improve your user experience. Obviously there have been women on the road, running and rebelling just as hard as the boys. 368 ARTFORUM NEW YORK Justine Kurland MITCHELL-INNES & NASH The celebration of motherhood hasn't been a favored subject for art- ists since Impressionism and the early-twentieth-century movements on which its influence is immediately discernible. “If the girls were running away,” she tells T, “then it made sense that I should, too.” From 1998 onward, Kurland crisscrossed the country shooting Huckleberry Finn-meets-riot grrrl vignettes — a gang of Ophelias paddling in a lake; a pair of girls carrying a slain deer through the woods; a trio scaling the burned-out shell of a car. Justine Kurland's "Girl Pictures" is among the very best photo books to come out in recent years. The figures who inhabit Kurland’s photos appear fearless and free, but she also aimed to portray the nuances of these girls’ inner lives. A lot has changed for Kurland, herself, in the past 20 years — she became a mother to Casper in 2004, who joined her on the road until age 6, and she lost her father in 2013. If you continue browsing, we assume that you consent to our use of cookies. Winners of our 2019 contest reviewed, among many other things, Tehlor Kay Mejia’s novel “We Set the Dark on Fire,” Doc Martens and Justine Kurland’s photo series “Girl Pictures.” from the School of Visual Arts in 1996. The series features seemingly candid shots of teenage girls wandering, playing, living off-grid in rural America, who together create an almost lawless and empowered community. On view at Mitchell-Innes & Nash through June 29, this show of Justine Kurland’s Girl Pictures (1997-2002) is well timed. She is still in touch with many of her models. Can an algorithm unpick gender bias in storytelling? Elle présente une réalité où l’utopie et la dystopie ne sont pas des opposés polaires, mais se combinent plutôt dans une coexistence malaisée. The photographer Justine Kurland didn’t learn how to drive until she was 27, a year before she set off on a two-decade-long road trip. “It suddenly seemed more important to be rooted and to look inward.” She sold her van in 2014 and now rarely ventures beyond upstate New York, where she was raised, or Virginia, where her mother lives. Justine Kurland reflects on Girl Pictures. “We shared a fantasy of escape, taking off, dropping out. 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Here, we speak to the creatives behind the programme’s unique brand of public service satire, Continuing our series on creative partnerships, RBI global CMO Fernando Machado and Pancho Cassis, global CCO at agency David, reveal how 5am WhatsApp chats, lawyers and healthy arguments go into Burger King’s award-winning work, Cardiff-based illustrator and graphic designer Matt Needle has spent the last seven months putting his own spin on all 25 of the original posters from the cult James Bond film franchise, Originally published in 1983, Graham’s first photography book A1: The Great North Road is being republished by Mack. The power in Kurland’s images, even 20 years later, is in the blurring between the perfect and real. In the spirit of the 19th-century landscape photographers, who produced idealized, utopian images of the American wilderness, Justine Kurland crisscrosses the country with her 4 x 5 camera and her young son, meeting and photographing fellow travelers in grand natural settings. Justine Kurland is a contemporary American photographer. The book publishes the whole series in full, including newly discovered and un. Her work often depicts communes in rural America as her subject matter, inspired by 19th-century idyllic English landscape painting, children’s fairy tales, and 2020, Book , 144 pages Summary/Review: The North American frontier is an enduring symbol of romance, rebellion, escape, and freedom. (Reviews: New York). REVIEWS Justine Kurland, The Milk Sucker, 2006, color photograph, 40 x 30". Justine Kurland imagines a girls' utopia. The man had air conditioning and I didn’t, so I spent my days with his daughter while he was at work,” Kurland tells CR. Kurland: I ask people to let me photograph them, and a lot of the times they say, “No.” But I never photographed anyone who didn’t want to be photographed. The series features seemingly candid shots of teenage girls wandering, playing, living off-grid in rural America, who together create an almost lawless and empowered community. She portrays girls as fearless and free, tender and fierce. His daughter had been sent to live with him because she had gotten into some minor trouble. Justine Kurland - The Family for Sale What I like most about her and her art work, is that she captures the beauty of natural things. Justine also answers to Justine Alana Kurland and Justine A Kurland, and perhaps a couple of other names. Creative Review. Real Machines, Imaginary Gardens John Haber in New York City Justine Kurland, Erin Shirreff, and David Brooks. At the same time, it's a profoundly masculine myth, cowboys, outlaws, Beat poets. Justine Kurland. bartender at fifth element is presently Justine's occupation. Justine Kurland, “Boy Torture: Two-Headed Monster” (1999) Kurland’s runaways usually materialize on the outskirts of society. A few years ago, there was a yellow Kodak box on Kurland’s wall labeled “girl pictures” on masking tape. candidate at Yale working on her now-iconic series “Girl Pictures” (1997-2002), staged portraits of adolescent girls cast as runaways wandering beneath highway overpasses and mucking around in roadside drainage ditches. These people live a life style where they are all bare living in the wilderness surrounded by nature. Now she’s about to have her first baby,” she recalls. My runaways built forts in idyllic forests and lived communally in a perpetual state of youthful bliss. Justine Kurland, “76 Station” (2012) I think there’s this spectrum between the perfect and the real and it became increasingly evident that my life was not perfect. Her work has been exhibited extensively at museums and galleries in the United States and abroad. Later, she moved on to other subjects, including hippies on communes and train-hopping drifters. About / Subscribe; Work with us; Inspiration; Jobs; Primary Menu Next. More information can be found in our Cookies Policy and Privacy Policy. They are now older than Kurland was when she photographed them. On the ascendant, a group of artists closely linked by medium, style, and subject, as well as by the institutions where they study and exhibit, can quickly gain an aesthetic cohesiveness harder for mavericks to establish. Justine Kurland. Once the clique has peaked, however, such … To mark the 20th anniversary of the project, this week the New York City gallery Mitchell-Innes & Nash will present the original “Girl Pictures” series in its entirety. She received her BFA from the School of Visual Arts, New York in 1996, and her MFA from Yale University in 1998. For 20 years, she went on many-month-long road trips across the United States in an old green van, exploring and taking pictures. They are literally exposed to the world and Justine chooses to capture these wonderful moments She portrays the girls as fearless and free, tender and fierce. But the only surviving picture shows her in a cherry tree on the West Side Highway. published images, and while it seems like a body of work Kurland was destined to create, it began almost by chance. Press Justine Kurland’s life in photos. Creative Review July 7, 2020 Between 1997 and 2002, Justine Kurland travelled across the North American wilderness, capturing teenage girls in a series of staged images that express freedom and a new kind of utopia. Copyright © 2020 Centaur Media plc and / or its subsidiaries and licensors. At the time, she was an M.F.A. Kurland, Justine, photographer. I imagined a world in which acts of solidarity between girls would engender even more girls—they would multiply through the sheer force of togetherness and lay … Justine Kurland Emily Tsingou Gallery, London, UK. Justine Kurland was born in 1969 in Warsaw, New York. Previously city included Newport RI. Her name is Alyssum. “I staged the girls as a standing army of teenaged runaways in resistance to patriarchal ideals,” says Kurland. 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Xinmei Liu’s images are inspired by old Chinese propaganda posters, The BakeKing’s hyperrealistic cake creations, Oxford Circus’s tube signs are now PlayStation-themed, Teenagers dress for proms that never happened in Alys Tomlinson’s Lost Summer. Share on Facebook; Share on Twitter; They were not farm men anymore, but migrant men. That the subjects of the pictures are now in their mid to late 30s is not something that should be overlooked. I had made certain choices and accepted responsibilities for the first time, began! Me when I didn ’ t know any of the pictures are now older than Kurland when... We assume that you consent to our use of cookies at fifth element is presently Justine 's.. Bravin & LEE Art-world cliques are mixed blessings found in our cookies Policy and Privacy Policy s,. Seems like a body of work Kurland was when she photographed them a few years ago, there a. Is 11/08/1980 and is 39 years old cherry tree on the justine kurland review ’ Girl. 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